Contemporary Art: A Very Short Introduction (Very Short.
Julian Stallabrass a lecturer, writer, photographer and curator with a particular interest in the relations between art and political issues. His research and teaching is in areas of modern and contemporary art, including the globalisation of art and the biennial scene, the history of photography and new media art. Most recently, he has been working on documentary photography, film and video.
High Art Lite: Amazon.co.uk: Stallabrass, Julian.
Julian Stallabrass is a British art historian, photographer and curator.He was educated at Leighton Park School and New College, Oxford University where he studied PPE. A Marxist, he has written extensively on contemporary art (including internet art), photography and the history of twentieth-century British art.
Contemporary Art: A Very Short Introduction - Julian.
Previous books about this subject have been either collections of essays or fan books, which try to aid acolytes hoping to navigate the art world. High Art Lite is the first sustained analysis of British art in the 1990s, and Stallabrass shows that, whatever we might think of the art itself, it raises fascinating questions about the relation of art to mass culture, the role of art in consumer.
Julian Stallabrass (Author of Contemporary Art).
Contemporary Art: A Very Short Introduction. Second Edition. Julian Stallabrass Very Short Introductions. Introduces the world of contemporary art, and explores how it is changing dramatically; New edition considers the consequences of the financial crisis and prolonged recession on the collection and sale of contemporary art.
Watch: Julian Stallabrass Discusses Memory of Fire.
Julian Stallabrass takes us inside the international art world to answer these and other controversial questions, and to argue that behind contemporary art's variety and apparent unpredictability lies a grim uniformity. Its mysteries are all too easily explained, its depths much shallower than they seem. Contemporary art seeks to bamboozle its viewers while being the willing slave of business.
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Julian Stallabrass is a writer, curator, photographer and lecturer. He is Professor in art history at the Courtauld Institute of Art, and is the author of Art Incorporated, Oxford University Press 2004, Internet Art: The Online Clash Between Culture and Commerce, Tate Publishing, London 2003; Paris Pictured, Royal Academy of Arts, London 2002; High Art Lite: British Art in the 1990s, Verso.
Julian Stallabrass - Lecturer - Courtauld Institute of Art.
Julian Stallabrass is a writer, curator, photographer and lecturer. He is Professor in Art History at the Courtauld Institute of Art, and is the author of Art Incorporated (2004), Internet Art: The Online Clash Between Culture and Commerce (2003), Paris Pictured (2002), High Art Lite: British Art in the 1990s ( 1999) and Gargantua: Manufactured Mass Culture (1996).
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Documentary by Julian Stallabrass - Goodreads.
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S till images have a deep affinity with memory. A full recollection—say of a person—almost always involves some visual re-experiencing of expressions, gestures and bearing, some of which are held frozen in the mind. footnote 1 Moreover, traumatic events are more likely to be mentally stilled: people who have undergone severe traumas may have flashbacks as isolated pictures, while they.
Contemporary Art (Audiobook) by Julian Stallabrass.
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